Saturday 18 February 2017

Berlinale impressions


After 10 days of screenings, press conferences, photo shootings and discussions, the winners of the 2017 Berlinale will be announced tonight. So far I have only seen one of the films in competition: the Brazilian film Joaquim, which unfortunately failed to impress me. I will watch three more competition films on Berlinale Publikumstag, the Sunday devoted to the public. However, my prediction is that the Finnish film Toivon Tuolla Puolen (The Other Side of Hope, about a friendship between a Finn and a Syrian refugee) will be a strong contestant for the Golden Bear this year. I also have a feeling that the Chilean film Una Mujer Fantastica (A Fantastic Woman) will win some serious prizes. 
In the past two editions of the Berlinale I happened to pick both winners before they were announced (Taxi in 2015 and Fuocoammare in 2016) so let's see if I am right this year.
Of the films I have watched, the ones I enjoyed the most were T2 Trainspotting (though don't expect Trainspotting 2) and Call Me by Your Name by Luca Guadagnino. Viceroy's House (set in India at the end of British colonial rule and ending with the partition into India and Pakistan) and The Lost City of Z (about British explorer Percy Fawcett) were both watchable and entertaining, with good acting. 
I also attended a talk at the HAU theatre with Berlinale jury president Paul Verhoeven and jury member Maggie Gyllenhaal. The theme of the talk was Courage Against All Odds. I thoroughly enjoyed watching clips from Robocop, Basic Instinct, Elle and The Secretary and listening to Paul Verhoeven's amusing tales.
To anyone planning to attend the Berlinale, I highly recommend going to at least one talk or Q&A. Last year's Q&A with Tilda Swinton after the screening of The Seasons in Quincy: Four Portraits of John Berger was both entertaining and inspiring.
To quote my friend Francesca, who attended a premiere at the Berlinale for the first time this year: "You have to fight for everything here!" I couldn't agree more: from buying the tickets, to getting into the cinema, to finding a good seat, or posting the card for the Panorama audience award, you have to constantly battle your way through the Berlinale. But once you sit down, the lights go off, the Berlinale theme tune starts (and the coughing begins), you will most likely have a rewarding and magical experience. Just remember: be prepared and follow my tips. Until next year...

Tuesday 7 February 2017

Berlinale ticket fever


It is a Monday morning in February. There is an extremely cold chill in the air, but that does not stop Berlinale fanatics from leaving the warmth of their houses to queue up for the advance ticket sales. For the first time I have decided to join the queue. I have strategically picked the Potsdamer Platz Arkaden because I know that at least I will be in a warm place, unlike Kino International where the queue is outdoors. I arrive at 9:00, one hour before the box office opens. For the lucky ones with a Mastercard (official partner of the Berlinale) there is a special ticket counter with a short queue. However, I have no choice but to join the long queue. The people at the front are well equipped with sleeping bags, foldable chairs, blankets, hot drinks. One lady has a supermarket trolley full of luggage. Some have spent the night here. Others arrived in the early hours of the morning. By 10:30 the first film in the Competition category has sold out and the queue has barely moved. One of the old hands patiently explains the sales process to the non-adepts: "On the first day it takes twice as long  - his guess at 9:45 is that we will queue up for two hours - which unfortunately proves to be an underestimate - because people buy tickets for themselves, for their friends and because of the large number of tickets on sale, for example at the Friedrichstadtpalast. The advantage of buying tickets for the Friedrichstadtpalast is that you can watch films in the Competition and Berlinale Special categories and the atmosphere is good, but the downside is that the seats are uncomfortable". This is where my tip from the last post comes in handy: pick two films in a row to increase your chances of getting a good seat, at least for the second viewing. 

As it gets closer to 11:00 and we are still far away from the front of the queue, people start to get a little impatient. Nevertheless, everyone is still in a fairly jolly mood and hopeful of getting the tickets they want. I am a little disappointed, however, when I find out that one of the films I wanted (Theater of Life - part of Culinary Cinema goes Kiez) is sold out. As I finally get closer to the ticket desk and the writing on the screen becomes more legible, there is a moment of confusion among the non-adepts: "Why are there tickets on sale for next Monday?" - a woman cries out - "I thought you could only buy tickets three days in advance!" There is a collective sigh as we all think: "You have had three hours to study the programme and you still have not understood the ticket policy".  By the time it is my turn to buy the tickets I am exhausted after over three hours of standing. The man next to me is leafing through the programme, trying to make up his mind at the very last minute. I cannot think straight so I end up buying two tickets for every session, which is not what I had set out to do. But at least I bought tickets for all the right events. Some people are planning to queue up again tomorrow, but I have decided to give the online ticket system another go.



Wednesday 1 February 2017

How to survive and enjoy the Berlinale


February in Berlin is by far the bleakest month of the year. It's grey, it's cold and it feels as if the winter will never end. Fortunately February is also the month of the Berlinale, the Berlin Film Festival, a major international event that brings excitement and glamour to the city of Berlin. 
Now in its 67th edition, the Berlinale is an indie film lovers' paradise, with hundreds of films from all over the world in original language (with English subtitles), projected on large screens in warm and comfortable cinemas and theatres across Berlin. The choice is huge: from obscure and odd films to indie masterpieces.
However, it can also feel rather daunting and stressful, due to the large crowds, long queues and variety of films to choose from. So if you're not a member of the press or a film professional and you want to make the most of your Berlinale experience, you too need to be prepared.

Understanding the Berlinale
First of all get yourself a programme, possibly both online from the Berlinale website and on paper. You can find the printed programmes at cinemas and theatres participating in the Berlinale and at the Potsdamer Platz Arkaden.
The programme has over 10 different sections.
The main section is the Competition. This is where you find the big names of cinema. Only the films that are part of the Competition are eligible for the big prizes: Golden Bear, Silver Bear, etc.
Just to make it more confusing, there are certain films (like T2 Trainspotting) that are shown in the competition section, but don't actually compete for the prizes.
The other sections of the Berlinale programme include 
Panorama: wide-range of art house films by renowned directors, but also debut films and new discoveries.
Forum: eclectic collection of experimental, avant-garde movies by young film-makers.  
Berlinale shorts: the name says it all.
Generation: films about young people.
Perspektive Deutsches Kino: films from promising German filmmakers.
Berlinale Special: new films by great directors and actors. Some big names here as well, but no prizes.


How do I buy tickets?
Advance sales start at 10:00 am on the Monday before the start of the Berlinale. Make a note in your diary!
Ticket sales for all screenings in Friedrichstadt-Palast, HAU, Volksbühne, Berlinale Goes Kiez and the last Sunday of the Berlinale start on the Monday.
Tickets can be purchased three days in advance. 
Tickets for repeat screenings of Competition films can be purchased four days in advance. 

If you are stuck at a desk all day, your best bet is to buy the tickets online. Make sure you have both a Berlinale and an Eventim account beforehand. Log on to the website of the Berlinale and be glued to the screen from 9:55 am. Keep your finger on the mouse and as soon as the sale starts click like a maniac! The tickets will sell out in seconds.
The other option is to brave the queues at the Potsdamer Platz Arkaden and at a few other locations.

Where can I see the celebrities?
One option is to stand by the red carpet of the Berlinale Palast. This is where the Competition films have their premieres. The opening and awards ceremonies also take place in the Berlinale Palast so the red carpet is pretty impressive!
Another option is to attend the Berlinale Special Gala at the Friedrichstadt Palast or at Zoo Palast. 
Try to gatecrash one of the many parties.
Hang around the posh hotel lobbies around Potsdamer Platz.

Where does it all happen?
The heart of the Berlinale is the area between Potsdamer Platz and the Berlinale Palast. But there are many other venues around town. I've already mentioned the  Friedrichstadt Palast and the Zoo Palast, but there's also the Kino International, the Haus der Berliner Festspiele and many more. There is also a special section of the Berlinale called Berlinale Goes Kiez; the idea is to bring the Berlinale to art-house cinemas in various Berlin neighbourhoods (or Kiez, as they are called in Berlin).    

What should I wear?
Unless you are planning to be on the red carpet, I recommend warm clothes and comfortable shoes! Berlin in February is usually cold and the pavements and streets could be covered in ice and snow. Be prepared to stand in long queues. You might even have to queue for long periods in the cold.

How do I get the best seats?
Get to the venue as early as possible and be prepared to wait.
One way to avoid queuing up in the cold is to watch two films in a row in the same location (for example at Friedrichstadt Palast). You will have to queue up for the first film but you will beat the crowds for the second screening.